Farber on Film: The Complete Film Writings of Manny Farber: A Library of America Special Publication

Manny Farber (1917–2008) was a unique figure among American movie critics. Champion of what he called "termite art" (focused, often eccentric virtuosity as opposed to "white elephant" monumentality), master of a one-of-a-kind prose style whose jazz-like phrasing and incandescent twists and turns made every review an adventure, he has long been revered by his peers. Susan Sontag called him "the liveliest, smartest, most original film critic this country ever produced"; for Peter Bogdanovich, he was "razor-sharp in his perceptions" and "never less than brilliant as a writer."Farber was an early discoverer of many filmmakers later acclaimed as American masters: Val Lewton, Preston Sturges, Samuel Fuller, Raoul Walsh, Anthony Mann. A prodigiously gifted painter himself, he brought to his writing an artist's eye for what was on the screen. Alert to any filmmaker, no matter how marginal or unsung, who was "doing go-for-broke art and not caring what comes of it," he was uncompromising in his contempt for pretension and trendiness, for, as he put it, directors who "pin the viewer to the wall and slug him with wet towels of artiness and significance." The excitement of his criticism, however, has less to do with his particular likes and dislikes than with the quality of attention he paid to each film as it unfolds, to the "chains of rapport and intimate knowledge" in its moment-to-moment reality. To transcribe that knowledge he created a prose that, in Robert Polito's words, allows for "oddities, muddles, crises, contradictions, dead ends, multiple alternatives, and divergent vistas." The result is critical essays that are themselves works of art. Farber on Film brings together this extraordinary body of work in its entirety for the first time, from his early and previously uncollected weekly reviews for The New Republic and The Nation to his brilliant later essays (some written in collaboration with his wife Patricia Patterson) on Godard, Fassbinder, Herzog, Scorsese, Altman, and others. Featuring an introduction by editor Robert Polito that examines in detail the stages of Farber's career and his enduring significance as writer and thinker, Farber on Film is a landmark volume that will be a classic in American criticism.

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Hardcover : 199 pages
Title : Farber on Film: The Complete Film Writings of Manny Farber: A Library of America Special Publication
Language : English
ISBN-10 : 1598534696
Ranting : 3.9

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Farber on Film: The plete Film Writings of Manny Farber
This is a long overdue collection of the complete film writings of one of the great film observers of all time. Manny Farber was much, much more than a film critic. He looked, really looked, at films in ways that no one else did during the 1950s, 60s, and 70s. He dissected films with a painter's eye, seeing what most everyone else missed.
Farber on Film: The plete Film Writings of Manny Farber
Farber on Film contains this extraordinary body of work in its entirety for the first time, from his early and previously uncollected weekly reviews for The New Republic and The Nation to his brilliant later essays (some written in collaboration with his wife, Patricia Patterson) on Godard, Fassbinder, Herzog, Scorsese, Altman, and others.
Farber on Film: The plete Film Writings of Manny Faber
Featuring an introduction by editor Robert Polito that examines in detail the stages of Farber's career and his enduring significance as writer and thinker, Farber on Film is a landmark volume that will be a classic in American criticism. Manny Farber (1917–2008) was a unique figure among American movie critics.
Farber on Film: The plete Film Writings of Manny Farber
About Farber on Film: The plete Film Writings of Manny Farber. Manny Farber (1917–2008) was a unique figure among American movie critics. Champion of what he called “termite art” (focused, often eccentric virtuosity as opposed to “white elephant” monumentality), master of a one of a kind prose style whose jazz like phrasing and incandescent twists and turns made every review an ...
?Farber on Film: The plete Film Writings of Manny Faber
Manny Farber (1917–2008) was a unique figure among American movie critics. Champion of what he called "termite art" (focused, often eccentric virtuosity as opposed to "white elephant" monumentality), master of a one of a kind prose style whose jazz like phrasing and incandescent twists and turns made every review an adventure, he has long been revered by his peers.
Farber on Film: The plete Film Writings of Manny Farber
Manny Farber (1917–2008) was a unique figure among American movie critics. Champion of what he called "termite art" (focused, often eccentric virtuosity as opposed to "white elephant" monumentality), master of a one of a kind prose style whose jazz like phrasing and incandescent twists and turns made every review an adventure, he has long been revered by his peers.
Farber on Film: The plete Film Writings of Manny Farber
Manny Farber (1917 2008) was a unique figure among American movie critics. Champion of what he called "termite art" (focused, often eccentric virtuosity as opposed to "white elephant" monumentality), master of a one of a kind prose style whose jazz like phrasing and incandescent twists and turns made every review an adventure, he has long been revered by his peers.
Farber on Film: The plete Film Writings of Manny Farber
Farber on Film: The plete Film Writings of Manny Farber presents us with the work of a lifetime, collecting what for too long has gone uncollected, the reviews and essays, stray thoughts and well targeted rants of "the liveliest, smartest, most original film critic this country ever produced," as none other than Susan Sontag put it.
Farber on Film: The plete Film Writings of Manny Farber
Farber on Film: The Collected Film Writings of Manny Farber (Library of America 2009) is an almost complete collection of reviews and essays on film by Farber, an American painter who paid for his practice through carpentry and criticism.
Farber on Film
The plete Film Writings of Manny Farber. Robert Polito Hardcover: Library of America, 2009. Manny Farber (1917–2008) was a unique figure among American movie critics. Champion of what he called "termite art"—focused, often eccentric virtuosity as opposed to "white elephant" monumentality—master of a prose style with jazz like phrasing ...